Skylights and rooflights in Topsham

Topsham's merchants' houses, terraces and later homes get skylights and rooflights to suit the estuary, with the ceiling finished around each.

Two roof windows in a loft bedroom with neatly finished linings

Topsham at a glance

Homes you'll find
Dutch-gabled merchants' houses on the Strand, Georgian and Victorian terraces on Fore Street, later estates at the edges
Roofs
Natural slate and some clay tile in the old town, concrete tile on later homes, flat roofs on rear extensions
Planning
Exeter City Council; the historic core is a conservation area and many older houses are listed
Exposure
West-facing to the open Exe estuary, with south-westerly wind, driving rain and salt air on the waterside

What Topsham's old ceilings and estuary roofs ask of a rooflight

  • Lath and lime ceilings

    Many older Topsham houses still have lath and lime plaster ceilings that need propping and cutting with care before an opening goes in.

  • Listed fronts on the Strand

    Most new glass in the old town belongs on the rear slope, because the merchants' houses and terraces facing the street are protected.

  • Weather off the water

    Waterside roofs take south-westerly rain and salt air across the estuary, so flashings and fixings are chosen for that exposure.

  • Tight streets for access

    Fore Street and the lanes around it leave little room to unload or stand a scaffold, so access is planned at the survey.

The finishing notes

Rooflights in Topsham

Topsham work for us runs from the old merchants' houses on the Strand to the later homes on the edge of town, and covers skylights, roof windows and lanterns, new or replacement. Topsham sits on the east bank of the Exe estuary, about 4 road miles from the centre of Exeter, and has been part of the city since 1966, so planning is decided by Exeter City Council. Much of the old town is a conservation area and many buildings along Fore Street and the Strand are listed, which shapes what can go on the roof.

Inside, the houses ask just as much. Fitting a rooflight in Topsham frequently means cutting into an old lath and lime ceiling, in a room with a cornice and walls that are not quite square. Before anyone climbs a ladder you will have the room's finish in writing, including how the lining is shaped and plastered.

01The houses

Topsham's houses, from merchants' quays to postwar streets

A port town's housing, from brick Dutch gables on the Strand to postwar semis on the edge of town.

Topsham grew as a port. Ships unloaded here for centuries, and the trade with the Low Countries in the seventeenth and eighteenth centuries left the town with its best known houses: tall brick fronts on the Strand topped with curved Dutch gables, built by merchants who had seen them across the North Sea. Behind and between them sit rendered houses, warehouses turned into homes, and narrow plots that run back from the street towards the water.

Fore Street and the streets off it carry a long run of Georgian and Victorian terraces, many with shops below and living rooms above. Their back additions, lean-tos and rear extensions are where much of the modern building work in the town happens, because the front elevations are protected and the street is tight. Some older cottages are cob or rubble stone under render, which is common across this part of Devon.

Where the homes are
The Strand
Brick merchants' houses with curved Dutch gables
Fore Street
Georgian and Victorian terraces, often with shops below
Older cottages
Cob or rubble stone under render
Edge of town
Later twentieth century semis, bungalows and detached houses

So one small town holds almost every kind of rooflight job we do, and we always begin by asking whereabouts in Topsham you live.

Away from the river, the town changes character. Later twentieth century estates spread out towards the edges of Topsham, with semis, bungalows and detached houses built in brick or render under concrete tile, and more recent infill since then. These homes have plasterboard ceilings, regular trussed or rafter roofs and loft spaces that suit roof windows and sun tunnels well.

So one small town holds almost every kind of rooflight job we do, and we always begin by asking whereabouts in Topsham you live.

Next note: Dutch gables, slate and the roofs along the Strand

02The roofs

Dutch gables, slate and the roofs along the Strand

Old slate on rafters that have moved, concrete tile on later homes, and extensions with flat roofs at the back.

The roofs you meet in old Topsham are mostly natural slate, with some clay tile, laid on timber rafters that have often moved a little over two or three centuries. On the Dutch-gabled houses the shaped gable faces the street, and the main slopes run back from it, so a rooflight on the rear slope is usually far less visible from the Strand than one on the front.

Old rafters are rarely evenly spaced. Where a modern roof lets a rooflight drop neatly between two rafters, an older one may need a rafter trimmed and its severed ends supported by doubled timbers. That is structural, Building Control has to approve it and we take care of the application. Slate also needs flashing suited to its thickness and profile, and each old slate must be lifted and kept so it can be dressed back in around the new frame.

GlassSplayed lining, wider at the ceiling
  • Natural slate
  • Battens and underlay
  • Rafters trimmed round the opening
  • Lath and lime plaster ceiling
An old Topsham roof, top to bottom

On a listed house, even a straight swap of an old iron rooflight can need consent, so ask the council before ordering anything.

Plenty of Topsham roofs already carry an old rooflight: a small cast-iron skylight over a stairwell, or a roof window put in decades ago when a loft was first used as a room. Replacing one of those is a separate task. On a listed house, even a straight swap of an old iron rooflight can need consent, so ask the council before ordering anything. Where it is a tired roof window with misted glass, a new frame in the same opening leaves the ceiling underneath largely alone.

On the later homes, concrete interlocking tiles are the norm. They are thicker and more forgiving to work around, and a roof window with the matching tile flashing is the usual choice. Flat roofs on rear extensions, often felt on older ones and GRP or EPDM on newer ones, are built up with a kerb to carry a low rooflight or a lantern.

Next note: The Topsham conservation area and Exeter City Council

03Planning

The Topsham conservation area and Exeter City Council

Exeter City Council is the decision-maker, the old town has conservation area status, and a listed house requires consent.

Exeter City Council has designated a conservation area covering the historic core of Topsham, including the Strand, Fore Street and the streets around them. Inside it, a house can still use the general householder allowance for rooflights, within its limits on projection and height. The council may have taken that allowance away through an Article 4 direction, though, so ask Exeter City Council's planning team whether one covers your street before a design is settled.

Listed buildings are different. Many of the older houses in Topsham are listed, and an outside alteration to one, a rooflight included, cannot go ahead without formal consent. The consent reaches the inside too, because cutting into a historic ceiling or roof structure in a listed house falls under it. Flats and maisonettes, of which there are plenty above the Fore Street shops, cannot use the householder allowance at all, so a rooflight on one needs planning permission.

What decides the route here
Planning authority
Exeter City Council
Historic core
Conservation area, with a possible Article 4 direction
Older houses
Many listed, so formal consent for outside changes
Flats above the shops
Need planning permission

In practice, conservation officers looking at a slate roof in an old town usually favour a low-profile conservation rooflight, sitting close to the slates with slim frames and a central glazing bar, over a standard roof window on a prominent slope. For the general limits, see our planning and Building Regulations guide, and for the consent process read conservation rooflights for listed buildings.

Next note: West-facing over the water: weather on the Topsham waterside

Two roof windows in a loft bedroom with neatly finished linings
04The estuary

West-facing over the water: weather on the Topsham waterside

West-facing waterside roofs take south-westerly weather straight off the open water.

Topsham faces west across open water. Weather coming in from the south west crosses the estuary and the marshes with little to break it, so houses along the Strand and the waterside take the wind and rain more directly than homes a few streets back. Driving rain finds every gap in a flashing, and salt in the air dulls cheap fixings over time.

That shapes the specification. On an exposed waterside slope we pair the flashing and frame with the roof pitch and the exposure, put aluminium or coated cladding on the outside rather than bare finishes, and use stainless or coated fixings. A rooflight that opens on the top floor of a waterside house deserves a rain sensor, so it shuts when a shower comes up the river.

Specified for the waterside
  • Flashing picked to match the slope and the open estuary
  • Aluminium or coated outer cladding
  • Stainless or coated fixings
  • Rain sensor on top-floor opening rooflights
  • Insulated lining with the vapour layer joined to the frame

The estuary affects the inside too. Damp air and cool nights mean condensation shows quickly on any cold surface, and a rooflight lining with thin insulation behind it is exactly that. A well-insulated lining matters more here, and so does lapping the moisture barrier over the frame edge, than in a sheltered inland street.

Next note: Conservation rooflights on the Strand, roof windows beyond the old town

05The right product

Conservation rooflights on the Strand, roof windows beyond the old town

A conservation rooflight on the Strand, a roof window in a later loft, a lantern on the kitchen extension.

What suits a house depends on its age and where the glass will sit. Across Topsham's housing the usual choices are these.

  • Merchants' houses and listed terraces: one conservation rooflight in the rear slope, sized to suit the slates and the room below.
  • Victorian and Georgian terraces with loft rooms: a rear roof window of either the top-hung or centre-pivot type, provided the house is not listed and no Article 4 direction applies.
  • Kitchen and garden-room extensions: a lantern or a flat unit standing on a kerb, lined and plastered on the inside.
  • Later twentieth century homes: ordinary roof windows for loft conversions, glazed double or triple, with the inner pane laminated, being overhead glass.
  • Dark landings and internal bathrooms: a sun tunnel, for places where a full rooflight is not possible or would not be approved.

Listed house in the old town

Usual product
Conservation rooflight in the back slope
Roof covering
Natural slate
Consent
Listed building consent
Lining finish
Lime plaster

Later home on the edge of town

Usual product
Standard roof window or sun tunnel
Roof covering
Concrete interlocking tile
Consent
Usually permitted development
Lining finish
Plasterboard, taped or skimmed

The glass depends on the room more than on the roof.

Top-floor rooms above the Fore Street shops and in the taller waterside houses can get warm on summer afternoons, because heat rises through the stairwell and gathers under the roof. An opening unit set high in the slope lets that warm air out, and a motor-driven one with a rain sensor can safely stay open on a changeable day. Ventilation of this kind can also serve as the purge allowance for the room under Part F.

The glass depends on the room more than on the roof. A bedroom facing the estuary might take solar control glass to keep afternoon heat down, while a landing that faces north is better with clear double glazing of high performance, letting in as much daylight as the frame size allows.

Whichever product is chosen, the installation follows the current Building Regulations and the Part L heat-loss rules for new and replacement glazing. Removing a complete rooflight, frame and glass, must also be notified, and the Building Control side is ours to handle.

Next note: Old ceilings behind Fore Street front doors

06The ceiling

Old ceilings behind Fore Street front doors

Lath and lime ceilings, cornices and old cracks, cut through carefully and left with a clean edge.

Step inside one of the older Topsham houses and the ceilings tell you the age of the place. Many are original lath and lime plaster, sometimes with a run cornice around the edge or a later ceiling boarded under an earlier one. They sag a little, they crack along old lines, and they hold together because the lime has been pushed through the laths and curled over the back.

Cutting a rooflight opening into a ceiling like that is careful work. We hold the ceiling up from below, score the plaster and cut it clean, then take each lath back to a timber so its end is fixed. Any loose plaster beside the opening is secured before the frame is fitted. The lining is then shaped to suit how deep the roof build is, and under a pitched roof that is often a deep shaft that gains from a splay, with the ceiling end wider than the glass.

  1. Prop the ceilingCeiling propped from beneath ahead of cutting
  2. Score and cutPlaster cut cleanly, laths ended on a timber
  3. Secure the edgesAny loose plaster secured ahead of the frame
  4. Form the liningLining angled outward through a deep shaft
  5. Finish in limeLayered up in thin coats and sealed with breathable paint

Gypsum pressed against old lime usually opens up along the seam.

Lime ceilings want lime. The edge where new lining meets old ceiling is built up in lime plaster, coat by coat, and feathered into the existing surface, then finished in a breathable paint. Gypsum pressed against old lime usually opens up along the seam. In the later houses on the edge of town the lining is plasterboard instead, taped or skimmed to blend with the ceiling around it.

Your quote includes a finish schedule that records the lot: the ceiling and roof build, the shape of the lining, its surface, and whether it is left unpainted for you to do. The method behind it is explained in our interior finishing guide.

Next note: A Topsham survey, from Fore Street parking to the loft hatch

07The survey

A Topsham survey, from Fore Street parking to the loft hatch

Everything is measured from roof to loft to room, the narrow streets are planned around, and the quote follows in writing.

Topsham is a short drive down Topsham Road from Exeter, so a visit is easy to fit in. We study the roof from the pavement or garden, then enter the loft and the room, taking the depth from roof to ceiling, noting the ceiling's material and condition and marking what could show in the finish, from a cornice to an old crack heading towards the planned opening.

Old Topsham has narrow streets and very little parking, so the visit includes planning access: where the van can unload, whether a tower or scaffold is needed and whether it would stand on the pavement. Devon County Council, as highway authority, licenses any scaffold on the highway, and we allow time for it in the programme. For a conservation or listed job, the same visit collects what a planning or consent application will need.

  1. Look at the roofFrom outside, slope by slope
  2. Measure insideRoom and loft, roof to ceiling depth
  3. Plan accessUnloading, a tower or a scaffold, and any licence
  4. Written quoteWith the finish schedule attached

The price comes to you in writing and the work starts only when you agree it. Old houses shed fine plaster dust, so the room is sealed off during the job, left clean afterwards, and the fitting is guaranteed for ten years. To get a visit in the diary, send the quote form, message us through WhatsApp, or use info@brightviewskylightsexeter.co.uk for email. Back on the homepage you will find every service we offer.

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