Skylights and rooflights in Ashburton

Ashburton's granite cottages, slate-hung Georgian fronts and newer homes: skylights and rooflights, with the planning boundary checked and the ceiling finished.

Two roof windows in a loft bedroom with neatly finished linings

Ashburton at a glance

Homes you'll find
Tall Georgian and Victorian fronts along East, West and North Streets, granite cottages in the lanes, newer estates on the fringe
Roofs
Steep slate across the historic centre, slate-hung gables and walls, interlocking tiles over the postwar and newer houses
Planning
Teignbridge district, with the edge of Dartmoor National Park close by, so each address is checked; a conservation area sits over the historic centre
Exposure
Low against Dartmoor with heavy rainfall, hill mist and wind-driven rain on west-facing slopes

Granite, slate and moorland rain: what an Ashburton roof asks before any glass goes in

  • Which planning authority

    Ashburton sits on the Dartmoor edge, so whether the park or Teignbridge decides is checked for each address.

  • Deep, irregular roof builds

    Thick walls and hand-sawn rafters make a long shaft to the ceiling, which is where a splayed lining earns its keep.

  • Slate hanging and old slate

    Old slate varies in thickness, so slates are lifted, kept in order and relaid against a matched flashing.

  • Damp and cold stone

    Cold stone walls condense warm room air, so the shaft is insulated and the vapour layer lapped to the frame.

The finishing notes

Rooflights in Ashburton

Ashburton is an old stannary town on the south-eastern edge of Dartmoor, about twenty-two miles from Exeter, and Brightview supplies and installs roof windows, rooflights, sun tunnels and lanterns for its homeowners. Rooflight installation in Ashburton has one complication that most Devon towns do not: the national park boundary is close, and which authority handles a given address has to be confirmed rather than assumed. The houses themselves bring granite, slate hanging and deep, irregular roofs.

What happens to the ceiling is as important as the glass overhead. Each quote carries a written schedule of the inside finish, covering the depth of the roof, how the lining is formed and the final decoration, so the room is settled on paper long before work begins.

01The streets

Ashburton's streets: granite, slate hanging and Georgian fronts

Tin and wool money built tall fronts in granite, slate hanging and render, with newer estates beyond.

Ashburton grew rich on tin and wool, and the town still shows it. East Street, West Street and North Street carry a long run of tall Georgian and Victorian houses, some with shop fronts at street level, and many wear the slate hanging that suits the damp moorland weather: whole upper walls covered in overlapping slate, neatly pegged, to keep rain out of what is underneath. Behind the frontages, the plots run back into yards and gardens, with outbuildings and later extensions.

The older walls are granite, stone rubble and cob, often thick enough that a window sits in a deep reveal. Some houses are rendered over, some left bare, and many have been altered several times, so a straight line in an old Ashburton wall is the exception. Side streets and lanes such as St Lawrence Lane hold smaller cottages, many of them terraced and low, with small upstairs rooms tucked under the roof.

Ashburton by street and era
East, West and North Streets
Georgian and Victorian houses, some with shop fronts
Upper walls
Slate hanging, pegged and overlapped
Lanes and side streets
Small terraced stone cottages
Town edges
Interwar, postwar and newer brick or render homes

Between the two groups lies a good deal of Ashburton, and where a house falls decides almost everything about the job.

On the edges of the town the character changes. Interwar and postwar houses, and newer estates built since, are brick or render with concrete tile roofs and plasterboard ceilings. These have the regular rafters and loft space that make a roof window or sun tunnel a simple fit. Between the two groups lies a good deal of Ashburton, and where a house falls decides almost everything about the job.

Next note: Slate, stone and deep roof builds on the Dartmoor edge

02The roofs

Slate, stone and deep roof builds on the Dartmoor edge

Steep slate over deep, irregular builds, where a long shaft makes the lining shape matter.

Slate is the covering on the majority of the town's older roofs, much of it local in origin, laid on timber rafters and battens and often on a steep pitch to shed moorland rain. Some terraces still have stone slates or a patchwork of coverings laid at different dates. When a rooflight goes in, slates around the opening are lifted carefully, kept in order and relaid against a flashing kit chosen for their thickness, since the thickness of old slate varies more than new.

The roof build in these houses is often deeper and more irregular than a modern one. Thick walls rise into gable ends, rafters may be hand-sawn and widely spaced, and a loft can have purlins and collar ties that decide where a frame can sit. Where a rafter must be trimmed to make an opening, the severed ends are supported on doubled timbers, and as that is structural alteration we deal with the Building Control paperwork ourselves.

GlassSplayed lining, wider at the ceiling
  • Natural slate
  • Battens and underlay
  • Deep rafters, trimmed and doubled
  • Lime plaster ceiling
A deep old Ashburton roof

A straight-sided tunnel through 400mm or more of roof wastes much of what the glass admits, and it looks like a box.

That depth has a use. A deep roof build means a long shaft from the glass to the ceiling, and a long shaft is the case where a splayed lining is worth having, its walls angled outwards so that the hole in the ceiling is broader than the frame. A straight-sided tunnel through 400mm or more of roof wastes much of what the glass admits, and it looks like a box. On a rear slope of a steep-roofed house, the splay is what lets the light well belong to the room instead of looking like a hatch.

Old roofs in the town often carry more than one covering, laid at different dates, and the join between them can fall right where a rooflight would sit. We look for that at the survey, because an opening that straddles two coverings needs its flashing worked out on paper first, not improvised on the slope.

The newer homes are easier going. Concrete tile with a profiled flashing kit, a regular rafter spacing and a shallower build make for a quicker job, and the flat roofs of extensions can carry a low-profile flat rooflight, or alternatively a glazed lantern raised on a kerb.

Next note: Dartmoor National Park, Teignbridge and Ashburton planning

03Planning

Dartmoor National Park, Teignbridge and Ashburton planning

Dartmoor National Park or Teignbridge, depending on the address, with a conservation area in the centre.

Planning in Ashburton depends on exactly where your house stands. Ashburton is in Teignbridge district, and the Dartmoor National Park boundary runs close to the town or through it, so check whether your address is inside the park: inside it, Dartmoor National Park Authority is the planning authority, and outside it, Teignbridge District Council is. The boundary should be checked for your address instead of guessed, and the authority concerned will tell you quickly. National parks are classed as Article 2(3) land, which restricts some permitted development rights, so it is wise to confirm what applies before ordering anything.

Where householder rights do apply, most ordinary houses can take a rooflight that stays low to the slope, and the detailed limits are covered by the Devon planning guide on this site. What matters here is the historic centre, where a conservation area covers much of the old town and the council can withdraw those rights through an Article 4 direction, so ask whether one covers your street. The figures worth remembering are modest: 150mm is the most a rooflight may stand proud of the slope, and 1.7m above the floor is the height a side-facing one must clear before it can open with clear glass. Flats and maisonettes, including those above the shops, have no householder rights at all.

Who decides in Ashburton
Dartmoor National Park
Its authority decides for addresses inside the boundary
Teignbridge
Decides for addresses outside the park
Town centre
A conservation area

The town also has a good many listed buildings, and any external change to one, including a new rooflight, calls for listed building consent first. Our answer on whether rooflights are allowed in Dartmoor National Park goes through the park rules in detail.

Building Regulations run alongside planning and cannot be waived. Cutting a fresh opening, or swapping a complete frame with its glass, brings Part L into play and the work is notified to Building Control, which is our job. Changing just the sealed unit inside a frame that is still sound falls outside that notification.

Next note: Moorland rain and mist: weather on Ashburton roofs

Two roof windows in a loft bedroom with neatly finished linings
04The weather

Moorland rain and mist: weather on Ashburton roofs

Heavy moorland rain and hill mist, so flashings, glazing edges and linings are chosen for damp.

Ashburton sits low against the moor, in the shelter of the Ashburn valley, but it still gets more rain than most of the county. Moisture-laden air rises over the high ground, and the town sees long wet spells, hill mist and a damp that settles into stone and slate. Wind-driven rain on a steep west-facing slope is a real test of a flashing.

That shapes the specification. Frames and flashings are matched to the pitch and the exposure, with powder-coated or aluminium cladding outside, and the weathering detail around slate gets the most attention, because that is where moorland rain does its work. A rooflight in a steep roof also sheds water quickly, which helps.

Specified for the moor edge
  • Frame and flashing rated for pitch and exposure
  • Coated or aluminium outer cladding
  • Extra care at the slate weathering
  • Insulated shaft, vapour layer lapped to frame
  • Warm-edge spacer in the sealed unit

On a lime-plastered stone house the insulation must still let the wall dry out, which is noted on the finish schedule.

The damp inside matters just as much. Stone houses stay cold, and warm air from a kitchen or bathroom meets a cold lining and condenses. A well insulated shaft, a vapour barrier lapped up to the frame and warm-edge spacers in the glass keep the inner surface warm enough that it never runs with water. On a lime-plastered stone house the insulation must still let the wall dry out, which is noted on the finish schedule.

Next note: Fitting the right rooflight to an Ashburton house

05The right product

Fitting the right rooflight to an Ashburton house

A slim conservation rooflight on a Georgian front, a compact window or tunnel for a cottage.

The product follows the house and the planning position. In and around the town, the usual matches look like this:

  • Slate-hung Georgian houses in the conservation area: a conservation rooflight, low and slim, on the rear slope.
  • Small stone cottages in the lanes: a compact roof window, or a sun tunnel over a gloomy landing where the roof is too low or too restricted.
  • Loft rooms in Victorian terraces: a roof window in the rear slope, its inner pane laminated because the glass is overhead.
  • Newer homes on the edges: a VELUX roof window, or a flat rooflight on a rear extension.

Conservation area house

Usual product
Slim conservation rooflight set in the rear slope
Roof covering
Natural slate
Planning check
Authority, conservation area and Article 4
Lining finish
Lime plaster

Newer home on the edge

Usual product
VELUX roof window or flat rooflight
Roof covering
Concrete tile
Planning check
Authority and Class C limits
Lining finish
Plasterboard, taped or skimmed

Glazing is picked for the room: clear, high-performance double glazing for a north landing, a tinted or solar control pane for a west bedroom that gets the afternoon sun.

Replacement is common in a town with a lot of older roofs. A roof window fitted when a loft was first converted may now have misted glass or a failing seal. Renewing the entire unit in its opening is notifiable and we handle that, while a new glass pane in a frame that is still good is not. If a rooflight has failed in a listed or conservation-area house, ask the council before ordering a different style.

Opening units suit the upper rooms of tall town houses, where heat gathers under the roof in summer. An opening rooflight helps with purge ventilation under Part F, and in a loft bedroom a roof window can double as the escape route when it satisfies the size and height rules of Approved Document B, so the frame is chosen with the use of the room in mind.

Glazing is picked for the room: clear, high-performance double glazing for a north landing, a tinted or solar control pane for a west bedroom that gets the afternoon sun.

Next note: Ashburton's old ceilings and how the opening is finished

06The ceiling

Ashburton's old ceilings and how the opening is finished

Lath, lime and boarded ceilings, cut with care and made good so the edge disappears.

Many Ashburton ceilings are lath and plaster, some of it lime and horsehair, hung on joists that have bowed over two centuries. Others are boarded, and some were covered with a later layer of plasterboard. The first job is to find out which, and in what condition, because that decides how the cut is made and how the edge is finished.

Where the ceiling is old lime, it is propped, scored, cut cleanly and secured, and the new lining is made up in lime and feathered across the old surface. Gypsum would sit against the lime without bonding well, and it traps moisture. Where the ceiling is plasterboard, the lining is boarded, then taped or skimmed so the join vanishes, and in both cases you get a surface prepared for paint or already decorated, whichever was agreed.

  1. Identify the ceilingLime, board or plasterboard, and its condition
  2. Prop and cutScored and cut cleanly
  3. Form the liningLining angled out into the room, as these roofs are deep
  4. Finish the edgeLime or taped and skimmed, to match

The edge itself is where the work shows. A crisp, even corner where lining meets ceiling, a paint line that stays straight and a reveal that is the same width all the way round are the details you look at every evening, and they are what the schedule commits us to.

All of this is written into the finish schedule. Each stage of the inside work is described in our guide to finishing a rooflight from inside, if you want the detail.

Next note: Surveys in Ashburton, from the A38 to the loft hatch

07The survey

Surveys in Ashburton, from the A38 to the loft hatch

The roof, the room and the loft get measured, the tight streets are planned for, and the quote is sent in writing.

The A38 brings us from Exeter to Ashburton without fuss, so a survey is simple to fit in. Outside first, we study the roof; inside, we measure the room and climb into the loft, noting the ceiling material, the depth of the roof build, the rafter layout and any sign of damp or movement near the planned opening.

The centre has narrow streets and tight corners, and parking can be scarce, so access is worked out at the survey: where the van can unload, and if a tower or scaffold is required, where it would be set. Putting scaffold on the public highway requires a Devon County Council licence, and the wait for it goes into the programme.

Granite thresholds and narrow lanes mean a survey here pays for itself. After it, the quote arrives in writing with every inside detail listed, and the work is not booked until you accept it. Dust is contained, the room is left spotless and the installation is guaranteed for 10 years. Nearby we also serve Buckfastleigh and Bovey Tracey nearby. A visit can be booked through the quote form, by WhatsApp, or by emailing info@brightviewskylightsexeter.co.uk. The homepage sets out the whole service, and our areas page shows the rest of our patch.

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